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A brief comment on the circumstance of Manuel Carmo being frequently introduced as a minimalist painter; a
label we do not agree with because we consider his style to be mostly supremacist especially since his huge
conceptual vitality corresponds to geometry, in his irregular case, of forms and of the scarce range of colours
the artist uses in the aesthetic treatment of his work of non-objective representation where he interprets the
“supremacy of pure feeling” of the abstract, as conceived in Kasimir Malevich’s manifesto.
João Silvério Pires |
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